Unaccompanied
Fiona Benson
It's raining at the garden centre.
I walk through dripping aisles of potted herbs
in a cool green rinse of aniseed and catmint.
The water falls in diatonic intervals –
each drop calls out its one clear note
as the canopy of leaves sings counterpoint.
I want you here to listen that way you do
with your eyes half-closed and mouth a little tense,
but don't come and get you. Instead, I rehearse
this trick of solitary listening
against the time you leave, like a beginner
at piano with the practice pedal down
crawling a way through the minor scale
until my fingers have it blind.
But, like listening with one ear sealed,
it misses a dimension, or depth of sound...
the rain taps shallow as a glockenspiel,
an infant music, untutored and unreal.
Fiona Benson
It's raining at the garden centre.
I walk through dripping aisles of potted herbs
in a cool green rinse of aniseed and catmint.
The water falls in diatonic intervals –
each drop calls out its one clear note
as the canopy of leaves sings counterpoint.
I want you here to listen that way you do
with your eyes half-closed and mouth a little tense,
but don't come and get you. Instead, I rehearse
this trick of solitary listening
against the time you leave, like a beginner
at piano with the practice pedal down
crawling a way through the minor scale
until my fingers have it blind.
But, like listening with one ear sealed,
it misses a dimension, or depth of sound...
the rain taps shallow as a glockenspiel,
an infant music, untutored and unreal.