Beyond the Red River
Thomas McGrath


The birds have flown their summer skies to the south,
And the flower-money is drying in the banks of bent grass
Which the bumble bee has abandoned. We wait for a winter lion,
Body of ice-crystals and sombrero of dead leaves.

A month ago, from the salt engines of the sea,
A machinery of early storms rolled toward the holiday houses
Where summer still dozed in the pool-side chairs, sipping
An aging whiskey of distances and departures.

Now the long freight of autumn goes smoking out of the land.
My possibles are all packed up, but still I do not leave.
I am happy enough here, where Dakota drifts wild in the universe,
Where the prairie is starting to shake in the surf of the winter dark.

The Archeopteryx's Song
Edwin Morgan


I am only half out of this rock of scales.
What good is armour when you want to fly?
My tail is like a stony pedestal
and not a rudder. If I sit back on it
I sniff winds, clouds, rains, fogs where
I'd be, where I'd be flying, be flying high.
Dinosaurs are spicks and
all I see when I look back
is tardy turdy bonehead swamps
whose scruples are dumb tons.
Damnable plates and plaques
can't even keep out ticks.
They think when they make the ground thunder
as they lumber for a horn-lock or a rut
that someone is afraid, that everyone is afraid,
but no one is afraid. The lords of creation
are in my mate's next egg's next egg's next egg,
stegosaur. It's feathers I need, more feathers
for the life to come. And these iron teeth
I want away, and a smooth beak
to cut the air. And these claws
on my wings, what use are they
except to drag me down, do you imagine
I am ever going to crawl again?
When I first left the crag
and flapped low and heavy over the ravine
I saw past present and future
like a dying tyrannosaur
and skimmed it with a hiss.
I will teach my sons and daughters to live
on mist and fire and fly to the stars.

The Marriage of Psyche
Kathleen Raine


1. The House

In my love's house
There are hills and pastures carpeted with flowers,
His roof is the blue sky, his lamp the evening star,
The doors of his house are the winds, and the rain his curtains.
In his house are many mountains, each alone,
And islands where the sea-birds home.

In my love's house
There is a waterfall that flows all night
Down from the mountain summit where the snow lies 
White in the shimmering blue of everlasting summer,
Down from the high crag where the eagle flies.
At his threshold the tides of ocean rise,
And the porpoise follows the shoals into still bays
Where starfish gleam on brown weed under still water.

In sleep I was born here
And waking found rivers and waves my servants,
Sun and cloud and winds, bird-messengers,
And all the flocks of his hills and shoals of his seas.
I rest, in the heat of day, in the light shadow of leaves
And voices of air and water speak to me.
All this he has given me, whose face I have never seen,
But into whose all-enfolding arms I sink in sleep.


2. The Ring

He has married me with a ring, a ring of bright water
Whose ripples travel from the heart of the sea,
He has married me with a ring of light, the glitter
Broadcast on the swift river.
He has married me with the sun's circle
Too dazzling to see, traced in summer sky.

He has crowned me with the wreath of white cloud
That gathers on the snowy summit of the mountain,
Ringed me round with the world-circling wind,
Bound me to the whirlwind's centre.
He has married me with the orbit of the moon
And with the boundless circle of the stars,
With the orbits that measure years, months, days and nights,
Set the tides flowing,
Command the winds to travel or be at rest.

At the ring's centre,
Spirit or angel troubling the still pool,
Causality not in nature,
Finger's touch that summons at a point, a moment
Stars and planets, life and light
Or gathers cloud about an apex of cold,
Transcendent touch of love summons world to being.

The Snow Light
May Sarton


In the snow light,
In the swan light,
In the white-on-white light
Of a winter storm,
My delight and your delight
Kept each other warm.

The next afternoon—
And love gone so soon!—
I met myself alone
In a windless calm,
Silenced at the bone
After the white storm.

What more was to come?
Out from the cocoon,
In the silent room,
Pouring out white light,
Amaryllis bloom
Opened in the night.

The cool petals shone
Like some winter moon
Or shadow of a swan,
Echoing the light
After you were gone
Of our white-on-white.

crazy jay blue
e e cummings


crazy jay blue)
demon laughshriek
ing at me
your scorn of easily

hatred of timid
& loathing for( dull all
regular righteous
comfortable )unworlds

thief crook cynic
( swimfloatdrifting
fragment of heaven )
trickstervillain

raucous rogue &
vivid coltaire
you beautiful anarchist
( i salute thee

Laughter
Philip Schultz

One night my father yanked a tablecloth

from under my face & plates spun like meteors

as he wrapped it over his shoulders & his bald head lit up

like a pumpkin as he waltzed my mother round our crooked house

& tears soaked my collar & my stomach jumped into my mputh

as they flew chair over sofa & the world was a moment so full of us

I think of the Samurai playing with a daisy as he waits for his enemy

& only the daisy & the bright summer sun in his smile & I ask you

if at a time like this you would wonder if there was a beginning or end

with angels gathering on the roof to fear such loud tearing

at the fiery curtain of human delight.

To Autumn
John Keats


Season of mists and mellow fruitfulness,
    Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
    With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
    And fill all fruit with ripeness to the core;
        To swell the gourd, and plump the hazel shells
    With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will bever cease,
        For Summer has o'er-brimm'd their clammy cells.

Who hath not seen thee oft amid they store?
    Sometimes whoever seeks abroad my find
Thee sitting careless on a granary floor,
    Thy hair soft-lifted by the winnowing wind;
Or on a half-reap'd furrow sound asleep,
    Drowsed with the fume of poppies, while thy hook
        Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
    Steady thy laden head across a brook;
    Or by a cyder-press, with patient look,
        Thou watchest the last oozings hours by hours.

Where are the songs of Spring? Ay, where are they?
    Think not of them, thou hast thy music too,
        While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
    Then in a wailful choir, the small gnats mourn
    Among the river sallows, borne aloft
        Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
    Hedge-crickets sing; and now with treble soft
    The redbreast whistles from the garden-croft,
        And gathering swallows twitter in the skies.


    

Parenthesis
Nick Laird

I lie here like the closing bracket on the ledger of the

    mattress.

Asleep between us the children are hyphens — one hyphen, one

    underscore —

and it takes a few moments at five a.m. to get it quite straight

    that

what I thought was my name being called is the dog at my feet

    snoring.

Asleep between us, the children, our hyphens (one hyphen, one

    underscore),

know love is a paragraph lacking an ending and typeset by

    hand in italics.

What I thought was my name being called is the dog at my feet

    snoring

and it's alright to collapse like that, like a marquee gone into

    its final sigh.

No love is a paragraph lacking an ending and typeset by hand

    in italics.

It is an ellipsis of three drops of Night Nurse that leaves the 

    pillow sticky

and it's alright to collapse like that, like a marquee gone into

    its final sigh,

like my mother in the hard return of a long death and the 

    stanza break.

It is an ellipsis of three drops of Night Nurse that leaves the 

    pillow sticky.

I lie here like the closing bracket on the ledger of the

    mattress,

like my mother in the hard return of a long death and the

    stanza break,

and it takes a few moments at five a.m. to get it quite straight,

    that.

Desert
Josephine Miles


When with the skin you do acknowledge drought,
The dry in the voice, the lightness of feet, the fine
Flake of the heat at every level line;

When with the hand you learn to touch without
Surprise the spine for the leaf, the prickled petal,
The stone scorched in the shine, and the wood brittle;

Then where the pipe drips and the fronts sprout
And the foot-square forest of clover blooms in sand,
You will lean and watch, but never touch with your hand.

Love after Love
Derek Walcott

The time will come
when, with elation,
you will greet yourself arriving
at your own door, in your own mirror,
and each will smile at the other's welcome,
and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.

Sit. Feast on your life.

Pike
Ted Hughes


Pike, three inches long, perfect
Pike in all parts, green tigering the gold.
Killers from the egg: the malevolent aged grin.
They dance on the surface among the flies.

Or move, stunned by their own grandeur,
Over a bed of emerald, silhouette
Of submarine delicacy and horror.
A hundred feet long in their world.

In ponds, under the heat-struck lily pads—
Gloom of their stillness:
Logged on last year's black leaves, watching upwards.
Or hung in an amber cavern of weeds

The jaws' hooked clamp and fangs
Not to be changed at this date:
A life subdued to its instrument;
The gills kneading quietly, and the pectorals.

Three we kept behind glass,
Jungled in weed: three inches, four,
And four and a half: fed fry to them—
Suddenly there were two. Finally one

With a sag belly and the grin it was born with.
And indeed they spare nobody.
Two, six pounds each, over two feet long
High and dry and dead in the willow-herb—

One jammed past its gills down the other's gullet:
The outside eye stared: as a vice locks—
The same iron in this eye
Though its film shrank in death.

A pond I fished, fifty yards across,
Whose lilies and muscular tench
Had outlasted every visible stone
Of the monastery that planted them—

Stilled legendary depth:
It was as deep as England. It held
Pike too immense to stir, so immense and old
That past nightfall I dared not cast

But silently cast and fished
With the hair frozen on my head
For what might move, for what eye might move.
The still splashes in the dark pond,

Owls hushing the floating woods
Frail on my ear against the dream
Darkness beneath night's darkness had freed,
That rose slowly toward me, watching.

I am Trying to Break Your Heart
Kevin Young


I am hoping
to hang your head

on my wall
in shame—

the slightest taxidermy
thrills me. Fish

forever leaping
on the living-room wall—

paperweights made
from skulls

of small animals.
I want to wear

your smile on my sleeve
& break

your heart like a horse
or its leg. Weeks of being

bucked off, then
all at once, you're mine—

Put me down.

I want to call you thine

to tattoo mercy
along my knuckles. I assassin
down the avenue
I hope

to have you forgotten
by noon. To know you

by your knees
palsied by prayer.

Loneliness is a science—

consider the taxidermist's
tender hands

trying to keep from losing
skin, the bobcat grin

of the living.

Blue
May Swenson

Blue, but you are Rose, too,
and buttermilk, but with blood

dots showing through.

A little salty your white

nape boy-wide.  Glinting hairs

shoot back of your ears' Rose

that tongues like to feel

the maze of, slip into the funnel,

tell a thunder-whisper to.

When I kiss, your eyes' straight

lashes down crisp go like doll's

blond straws.  Glazed iris Roses,

your lids unclose to Blue-ringed

targets, their dark sheen-spokes

almost green.  I sink in Blue-

black Rose-heart holes until you 

blink. Pink lips, the serrate

folds taste smooth, and Rosehip-

round, the centre bud I suck.

I milknip your two Blue-skeined

blown Rose beauties, too, to sniff

their berries' blood, up stiff

pink tips.  You're white in 

patches, only mostly Rose,

buckskin and salty, speckled 

like a sky.  I love your spots,

your white neck, Rose, your hair's

wild straw splash, silk pools 

for your ears.  But where white

spouts out, spills on your brow

to clear eyepools, wheel shafts

of light, Rose, you are Blue.

Long Distance II
Tony Harrison


Though my mother was already two years dead
Dad kept her slippers warming by the gas,
put hot water bottles her side of the bed
and still went to renew her transport pass.

You couldn't just drop in. You had to phone.
He'd put you off an hour to give him time
to clear away her things and look alone
as though his still raw love were such a crime.

He couldn't risk my blight of disbelief
though sure that very soon he'd hear her key
scrape in the rusted lock and end his grief.
He knew she'd just popped out to get the tea.

I believe life ends with death, and that is all.
You haven't both gone shopping; just the same,
in my new black leather phone book there's your name
and the disconnected number I still call.

Lullaby
W. H Auden


Lay your sleeping head, my love,
Human on my faithless arm;
Time and fevers burn away
Individual beauty from
Thoughtful children, and the grave
Proves the child ephemeral:
But in my arms till break of day
Let the living creature lie,
Mortal, guilty, but to me
The entirely beautiful.

Soul and body have no bounds:
To lovers as they lie upon
Her tolerant enchanted slope
In their ordinary swoon,
Grave the vision Venus sends
Of supernatural sympathy,
Universal love and hope;
While an abstract insight wakes
Among the glaciers and the rocks
The hermit's carnal ecstasy.

Certainty, fidelity
On the stroke of midnight pass
Like vibrations of a bell,
And fashionable madmen raise
Their pedantic boring cry:
Every farthing of the cost,
All the dreaded cards foretell,
Shall be paid, but from this night
Not a whisper, not a thought,
Not a kiss nor look be lost.

Beauty, midnight, vision dies:
Let the winds of dawn that blow
Softly round your dreaming head
Such a day of welcome show
Eye and knocking heart may bless,
Find the mortal world enough;
Noons of dryness find you fed
By the involuntary powers,
Night of insult let you pass
Watched by every human love.

Rent
Jane Cooper


If you want my apartment, sleep in it
but let's have a clear understanding:
the books are still free agents.

If the rocking chair's arms surround you
they can also let you go,
they can shape the air like a body.

I don't want your rent, I want
a radiance of attention
like the candle's flame when we eat,

I mean a kind of awe
attending the spaces between us—
Not a roof but a field of stars.

The Conjugation of the Paramecium
Muriel Rukeyser


This has nothing
to do with
propagating

The species
is continued
as so many are
(among the smaller creatures)
by fission

(and this species
is very small
next in order to
the amoeba, the beginning one)

The paramecium
achieves, then,
immortality
by dividing

But when
the paramecium
desires renewal
strength another joy
this is what
the paramecium does:

The paramecium
lies down beside
another paramecium

Slowly inexplicably
the exchange
takes place
in which
some bits
of the nucleus of each
are exchanged

for some bits
of the nucleus
of the other

This is called
the conjugation of the paramecium.

The Distant Moon
Rafael Campo


I
Admitted to the hospital again.
The second bout of pneumocystis back
In January almost killed him; then,
He'd sworn to us he'd die at home. He baked
Us cookies, which the student wouldn't eat,
Before he left—the kitchen on 5A
Is small, but serviceable and neat.
He told me stories: Richard Gere was gay
And sleeping with a friend of his, and AIDS
Was an elaborate conspiracy
Effected by the government. He stayed
Four months. He lost his sight to CMV.

II
One day, I drew his blood, and while I did
He laughed, and said I was his girlfriend now,
His blood-brother. "Vampire-slut," he cried,
"You'll make me live forever!" Wrinkled brows
Were all I managed in reply. I know
I'm drowning in his blood, his purple blood.
I filled my seven tubes; the warmth was slow
To leave them, pressed inside my palm. I'm sad
Because he doesn't see my face. Because 
I can't identify with him. I hate
The fact that he's my age, and that across
My skin he's there, my blood-brother, my mate.

III
He said I was too nice, and after all
If Jodie Foster was a lesbian,
Then doctors could be queer. Residual
Guilts tingled down my spine. "OK, I'm done,"
I said as I withdrew the needle from
His back, and pressed. The CSF was clear;
I never answered him. That spot was framed
In sterile, paper drapes. He was so near
Death, telling him seemed pointless. Then, he died.
Unrecognizable to anyone
But me, he left my needles deep inside
His joking heart. An autopsy was done.

IV
I'd read to him at night. His horoscope,
The New York Times, The Advocate;
Some lines by Richard Howard gave us hope.
A quiet hospital is infinite,
The polished, ice-white floors, the darkened halls
That lead to almost anywhere, to death
Or ghostly, lighted Coke machines. I call
To him one night, at home, asleep. His breath,
I dreamed, had filled my lungs—his lips, my lips
Had touched. I felt as though I'd touched a shrine.
Not disrespectfully, but in some lapse
Of concentration. In a mirror shines

The distant moon.

An Otter
Ted Hughes


Underwater eyes, an eel's
Oil of water body, neither fish nor beast is the otter:
Four-legged yet water-gifted, to outfish fish;
With webbed feet and long ruddering tail
And a round head like an old tomcat.

Brings the legend of himself
From before wars or burials, in spite of hounds and vermin-poles;
Does not take root like the badger. Wanders, cries;
Gallops along land he no longer belongs to;
Re-enters the water by melting.

Of neither water nor land. Seeking
Some world lost when first he dived, that he cannot come at since,
Takes his changed body into the holes of lakes;
As if blind, cleaves the stream's push till he licks
The pebbles of the source; from sea

To sea crosses in three nights
Like a kind in hiding. Crying to the old shape of the starlit land,
Over sunken farms where the bats go round,
Without answer. Till light and birdsong come
Walloping up roads with the milk wagon.

The hunt's lost him. Pads on mud,
Among sedges, nostrils a surface bead,
The otter remains, hours. The air,
Circling the globe, tainted and necessary,

Mingling tobacco-smoke, hounds and parsley,
Comes carefully to the sunk lungs.
So the self under the eye lies,
Attendant and withdrawn. The otter belongs

In double robbery and concealment—
From water that nourishes and drowns, and from land
That gave him his length and the mouth of the hound.
He keeps fat in the limpid integument

Reflections live on. The heart beats thick,
Big trout muscle out of the dead cold;
Blood is the belly of logic; he will lick
The fishbone bare. And can take stolen hold

On a bitch otter in a field full
Of nervous horses, but linger nowhere.
Yanked above hounds, reverts to nothing at all,
To this long pelt over the back of a chair.

Conception
Josephine Miles


Death did not come to my mother
Like an old friend.
She was a mother, and she must
Conceive him.

Up and down the bed she fought crying
Help me, but death
Was a slow child
Heavy. He

Waited. When he was born
We took and tired him, now he is ready
To do his good in the world.

He has my mother's features.
He can go among strangers
To save lives.

VI
Love and Knowledge
Robert Penn Warren


Their footless dance
Is of the beautiful liability of their nature.
Their eyes are round, boldly convex, bright as a jewel,
And merciless. They do not know 
Compassion, and if they did,
We should not be worthy of it. They fly
In air that glitters like fluent crystal
And is hard as perfectly transparent iron, they cleave it
With no effort. They cry
In a tongue multitudinous, often like music.

He slew them, at surprising distances, with his gun.
Over a body held in his hand, his head was bowed low, 
But not in grief.

He put them where they are, and there we see them:
In our imagination.

What is love?

Our name for it is knowledge.

The Wind Suffers
Laura Riding


The wind suffers of blowing,
The sea suffers of water,
And fire suffers of burning,
And I of a living name.

As stone suffers of stoniness,
As light of its shiningness,
As birds of their wingedness,
So I of my whoness.

And what the cure of all this?
What the not and not suffering?
What the better and later of this?
What the more me of me?

How for the pain-world to be
More world and no pain?
How for the old rain to fall
More wet and more dry?

How for the wilful blood to run
More salt-red and sweet-white?
And how for me in my actualness
To more shriek and more smile?

By no other miracles,
By the same knowing poison,
By an improved anguish,
By my further dying.

Making the Move
Paul Muldoon


When Ulysses braved the wind-dark sea
He left his bow with Penelope,

Who would bend for no one but himself.
I edge along the book-shelf,

Past bad Lord Byron, Raymond Chandler,
Howard Hughes; The Hidden Years,

Past Blaise Pascal, who, bound in hide,
Divined the void to his left side:

Such books as one may think one owns
Unloose themselves like stones

And clatter down into this wider gulf
Between myself and my good wife;

A primus stove, a sleeping-bag,
The bow I bought through a catalogue

When I was thirteen or fourteen
That would bend, and break, for anyone,

Its boyish length of maple upon maple
Unseasoned and unsupple.

Were I embarking on that wine-dark sea
I would bring my bow along with me.

A Misremembered Lyric
Denise Riley


A misremembered lyric: a soft catch of its song
whirrs in my throat. 'Something's gotta hold of my heart
tearing my' soul and my conscience apart, long after
presence is clean gone and leaves unfurnished no
shadow. Rain lyrics. Yes, then the rain lyrics fall.
I don't want absence to be this beautiful.
It shouldn't be; in fact I know it wasn't, while
'everything that consoles is false' is off the point —
you get no consolation anyway until your memory's
dead; or something never had gotten hold of
your heart in the first place, and that's the fear thought.
Do shrimps make good mothers? Yes they do.
There's no beauty out of loss; can't do it —
and once the falling rain starts on the upturned
leaves, and I listen to the rhythm of unhappy pleasure
what I hear is bossy death telling me which way to
go, what I see is a pool with an eye in it. Still let
me know. Looking for a brand-new start. Oh and never
notice yourself ever. As in life you don't.

Constancy to an Ideal Object
Samuel Taylor Coleridge


Since all that beat about in Nature's range,
Or veer or vanish; why should'st thou remain
The only constant in a world of change,
O yearning Thought! that liv'st but in the brain?
Call to the Hours, that in the distance play,
The faery people of the future day—
Fond Thought! not one of all that shining swarm
Will breathe on thee with life-enkindling breath,
Till when, like strangers shelt'ring from a storm,
Hope and Despair meet in the porch of Death!
Yet still thou haunt'st me; and though well I see,
She is not thou, and only thou are she,
Still, still as though some dear embodied Good,
Some living Love before my eyes there stood
With answering look a ready ear to lend,
I mourn to thee and say—'Ah! loveliest friend!
That this the meed of all my toils might be, 
To have a home, an English home, and thee!'
Vain repetition! Home and Thou are one.
The peacefull'st cot, the moon shall shine upon,
Lulled by the the thrush and wakened by the lark,
Without thee were but a becalméd bark,
Whose Helmsman on an ocean waste and wide
Sits mute and pale his mouldering helm beside.

And art thou nothing? Such thou art, as when
The woodman winding westward up the glen
At wintry dawn, where o'er the sheep-track's maze
The viewless snow-mist weaves a glist'ning haze,
Sees full before him, gliding without tread,
An image with a glory round its head;
The enamoured rustic worships its fair hues,
Nor knows he makes the shadow, he pursues!

The Summer Day
Mary Oliver


Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean –
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down –
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don't know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn't everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?

Pieta
Donald Davie

Snow-white ray

coal-black earth will

swallow now.

The heaven glows

when twilight has

kissed it, but

your white face

which I kiss now does

not. Be still

acacia boughs,

I talk with my

small one. We speak

softly. Be still.

The sky is blind

with white

cloud behind

the swooping birds. The

garden lies

round us and

birds in the dead

tree's bare

boughs shut

and open themselves. Be

still, or be

your unstill selves,

birds in the tree.

The wind is 

grievous to the willow. The

underside of its

leaves as the wind

compels them is

ashen. Bow

never, nor dance

willow. How can

you bear it? My

head goes back on

my neck fighting

the pain off. Willow

in the wind, share it.

I have to learn

how time can be

passed in public

gardens. There my

dead lies idle. Much

bereaved and sitting

under a sunny wall

old women stare

through me. I

come too soon and

yet at last to

fixity, being alone and

with a crone's pastimes.