Landcrab II
Margaret Atwood
The sea sucks at its own
edges, in and out with the moon.
Tattered brown fronds
(shredded nylon stockings,
feathers, the remnants of hands)
wash against my skin.
As for the crab, she's climbed
a tree and sticks herself
to the bark with her adroit
spikes; she jerks
her stalked eyes at me, seeing
a meat shadow,
food or a predator.
I smell the pulp
of her body, faint odor
of rotting salt,
as she smells mine,
working those martian palps:
seawater in leather.
I'm a category, a noun
in a language not human,
infra-red in moonlight,
a tidal wave in the air.
Old fingernail, old mother,
I'm up to scant harm
tonight; though you don't care,
you're no-one's metaphor,
you have your own paths a
and rituals, frayed snails
and soaked nuts, waterlogged sacks
to pick over, soggy chips and crusts.
The beach is all yours, wordless
and ripe once I'm off it,
wading through the moored boats
and blue lights of the dock.
Margaret Atwood
The sea sucks at its own
edges, in and out with the moon.
Tattered brown fronds
(shredded nylon stockings,
feathers, the remnants of hands)
wash against my skin.
As for the crab, she's climbed
a tree and sticks herself
to the bark with her adroit
spikes; she jerks
her stalked eyes at me, seeing
a meat shadow,
food or a predator.
I smell the pulp
of her body, faint odor
of rotting salt,
as she smells mine,
working those martian palps:
seawater in leather.
I'm a category, a noun
in a language not human,
infra-red in moonlight,
a tidal wave in the air.
Old fingernail, old mother,
I'm up to scant harm
tonight; though you don't care,
you're no-one's metaphor,
you have your own paths a
and rituals, frayed snails
and soaked nuts, waterlogged sacks
to pick over, soggy chips and crusts.
The beach is all yours, wordless
and ripe once I'm off it,
wading through the moored boats
and blue lights of the dock.
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